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The word Nitya means “eternal” or “recurring”. The Fifteen Nityas represent the 15 lunar days or Thithis of the waxing Moon. The digits of the moon are 30; the number of days it approximately takes for the moon to orbit the earth. The waxing half is bright (Shukla Paksha) and the waning cycle is darker and therefore called Krishna Paksha. The full lunar cycle also represents the 21,600 breaths a human being takes in a full day. The Fifteen Nityas are thus a manifestation of the principles of Time and Space. They are considered as modifications of Lalitha with her three gunas (Sattva, Rajas and Tamas), and the five elements of ether, air, fire, water and earth. Understanding the real nature of these cosmic powers is essential as it reinforces the identity of the individual (microcosm) with Brahman (macrocosm). We learn to perceive divinity in every aspect of this Universe.
Lalitha Tripurasundari, the ruler of the Three worlds is the pure Conciousness from whom all the other Nitya deities emanate. She is present in every day of the cycle both within and energising each Nitya.
Each Lunar day and its resident Nitya deity radiate a special energy force. Meditating on the yantras for each Nitya with an understanding of their powers and special significance can help reduce stress and tensions and create a peaceful, harmonious environment. READ MORE ABOUT EACH OF THE SIXTEEN NITYAS
Spiritual Vision Art by
Uma Kumar
Gallery 6: Dashavataram
To learn more about these paintings, please read the second half of Chapter 14.
by Uma Kumar
Spiritual Vision Art
Gallery 5: Black and White
For more information about these paintings, please refer to my blog posts of January 22, 2006 (Chapter 4) and February 4, 2006 (Chapter 5)
To read more about the first Karumariamman painting, click here. The second Karumariamman (2) and Murugan (11) are described in Chapter 10 of my blog.
Chapter 9 of my blog discusses paintings of Lakshmi (8), Saraswathi (14), Venkatachalapathi (22), Shiva Thandavam (18) and Ardhanareeswara (3) and the Holy Family (Shiva and Parvati, picture 17). The Kamakshiamman painting is described in Chapter 12.